Lexplore history together!
Lexington Historical Society
  • Home
    • About
    • Board Directory
    • Blog
    • Contact
    • COVID-19 Information
    • Digital Content
    • Staff
  • Visit
    • Accessibility and Logisitics
    • Current Exhibits >
      • Past Exhibits
    • Historic Sites
    • Landscapes
    • Virtual Tours
  • Education
    • Digital Learning
    • Family and Youth Programs >
      • First Shot Summer Camp
      • April Vacation Activities
      • Children's Battle Reenactment
      • Colonial Kids
    • Home School Programs
    • School Programs
    • School Group Visits
    • Colonial Performers
  • Events
  • Join
    • Membership
    • Volunteer >
      • Archives
      • Buildings and Grounds
      • Collections
      • Hancock-Clarke Greeters
      • Munroe Tavern Greeters
      • Programs and Events
  • Give
    • Bluebirds of Hope
    • Corporate Community Partners
    • Donate Something >
      • COVID-19 History Project
    • Help Us Conserve Something
  • Research
    • Archival Procedures
    • Archives & Research Center
    • Online Collections
    • Online Exhibits
    • Publications and Reports
    • Research Requests
    • Research & Reproduction Fees
  • Rent
    • Catering, Bartending & Equipment Rental
    • Depot Floor Plan
    • Depot History
    • Depot Photos
    • Rental Inquiry Form
    • Rental Rates
    • Venue Details
  • Shop
  • Home
    • About
    • Board Directory
    • Blog
    • Contact
    • COVID-19 Information
    • Digital Content
    • Staff
  • Visit
    • Accessibility and Logisitics
    • Current Exhibits >
      • Past Exhibits
    • Historic Sites
    • Landscapes
    • Virtual Tours
  • Education
    • Digital Learning
    • Family and Youth Programs >
      • First Shot Summer Camp
      • April Vacation Activities
      • Children's Battle Reenactment
      • Colonial Kids
    • Home School Programs
    • School Programs
    • School Group Visits
    • Colonial Performers
  • Events
  • Join
    • Membership
    • Volunteer >
      • Archives
      • Buildings and Grounds
      • Collections
      • Hancock-Clarke Greeters
      • Munroe Tavern Greeters
      • Programs and Events
  • Give
    • Bluebirds of Hope
    • Corporate Community Partners
    • Donate Something >
      • COVID-19 History Project
    • Help Us Conserve Something
  • Research
    • Archival Procedures
    • Archives & Research Center
    • Online Collections
    • Online Exhibits
    • Publications and Reports
    • Research Requests
    • Research & Reproduction Fees
  • Rent
    • Catering, Bartending & Equipment Rental
    • Depot Floor Plan
    • Depot History
    • Depot Photos
    • Rental Inquiry Form
    • Rental Rates
    • Venue Details
  • Shop

Mr. O'Shaughnessy Goes to New York

2/24/2020

1 Comment

 
Picture
Diane and Paul O'Shaughnessy in the audience for "How To Load a Musket"
It's a show where people pretend to be people pretending to be people, and one of them pretends to be Paul O'Shaughnessy of the Historical Society. When the REAL Paul O'Shaughnessy joined the New York City audience to watch last month, things got truly odd. And quite wonderful.
 
O'Shaughnessy, now enriching his sixth decade of Lexington's portrayal of the past, was one of many reenactors interviewed for "How To Load A Musket," an original play by actress and playwright Talene Monahon that ran for two weeks in January at the 59E59 Theaters in Manhattan. After interviewing reenactors for five years, the Belmont native took her script through workshops at the Cape Cod Theatre Project and Northern Stage in White River Junction.
 
She and her Lexingtonian best friend "used to attend the Battle of Lexington together and I loved exploring her home and pretending to act out the story of the wounded Redcoat who was taken in by colonists during the war," Monahon wrote in an email. "Later, as an adult and theater-maker, the initial impulse was to explore a world which felt adjacent to my own and seemed to be a uniquely fascinating lens through which to look at the country in the present."
 
It's an unusual show, and totally compelling if you're into geeking out on history, especially the Lexingtonian variety. It goes in unexpected directions, but it's not too surprising that O'Shaughnessy would find his way into it. He's an absolute stalwart of preserving Lexington's past by playing it out.
 
But not as a colonist. Cheerful and erudite, O'Shaughnessy wields a musket and bayonet as a leader of the His Majesty’s 10th Regiment of Foot in America, the top-notch British reenactment company formed in 1968 in anticipation of the Bicentennial. He brandishes a soft-spoken wit and a knowledge of history as least as formidable as his equipment, and he's a trooper in the truest sense. He shows up for everything, as willing to play auctioneer as Grenadier if called upon by the Historical Society.

O'Shaughnessy relishes telling how he first was drawn into reenacting as a teenager in 1972, hanging around the Green as teens are wont to do, and semi-interested in the Lexington Minute Men and their drill. When he saw the precision and splendid accoutrement of the 10th, his perspective and his loyalties shifted, and he's since devoted his talent, time and energy to exploring and exposing the value of the British point of view. His core rationale for 50 years of wearing a red coat is so resonant, it makes it right into the script and onto the stage: "Somebody's got to play the British." And sure enough, during the performance that very line got an appreciative chuckle.
 
It comes at the very beginning, as the audience is just moving into the words and thoughts of these thoughtful, obsessed, meticulous odd ducks, whose actual words from Monahon's interviews form virtually the entirety of the script.
 
They describe their craft and its impact on its impact on their lives. They talk about the unexpected ways the modern world affects their vocation (the racial clash in Charlottesville that rocked the nation as Monahon was researching her show serves as a disturbing pivot point). They grapple with the question, "Am I laughable?" and decide they are not.
 
And they poignantly express yearning felt in one form or another by most historical society affiliates, to return to a past world that feels more comprehensible and worth inhabiting because we know how the story ends.
 
O'Shaughnessy says Monahon wrote in the play's turning point, the modern intrusion of racial ugliness, because she had to, and did a good job balancing the laughs inherent in a deeply eccentric pastime and respect for the passion and sense of higher calling it entails. "She was reasonably fair about that. She portrayed the oddities where they were oddities, and rationality where there was rationality and she included a little bit of magic."
 
O'Shaughnessy good-naturedly allowed how he'd have loved to have all three hours of his interview worked into the script, but understands well why his character (played by Ryan Spahn) really only has a few pure O'Shaughnessy lines - and a terrific story about losing one's sense of fiction and swinging a real sword at reenactors attempting to seize a cannon. O'Shaughnessy is a techie at the Footlight Players in Jamaica Plain, and knows well the constraints and vagaries of scriptwriting and the stage.
 
But not what it's like to be trodding the boards in the third person. "I was very interested to hear my words spoken to me from the stage, by someone's else's voice. It was a bit fascinating, and, I was measuring the distance between what I said and how I said it, and how he said it."
 
O'Shaughnessy said both actor and playwright got him right, and he delighted in meeting Spahn after the performance. The actor clearly enjoyed the odd encounter too. "I think it closed a loop for both of us," O'Shaughnessy said. "I told him that he played me better than I do."
 
What's next for the show? Monahon just learned it's going to have another run in NYC, and she's interested in connecting with still more reenactors. And it's not implausible that the show could be staged in Lexington (watch this space….)

-Guest Contributor Craig Sandler, Managing Partner, State House News Service
1 Comment

“Everyone Has a Story . . . Will You Share Yours with Us?”

2/10/2020

0 Comments

 
PictureBlack and white photograph of Alan and of Florence Dawson in the living room of their home at 5 Winchester Drive in Lexington, where they lived from 1971 until 2007. Photograph was taken in the late 1970s when the Boston Globe did an interview with Alan Dawson, who was a famous jazz drummer and percussionist.
Lexington Historical Society has a very clear mission: to be a premier interpreter of the events of April 1775, and the faithful steward of all of the town's history through time.  Working with events surrounding April 1775 has always, understandably, been very important to us and our mission.  However, particularly in recent years, we have made a conscious effort to better uphold the latter part of our mission statement. 
 
We are endeavoring to focus on areas of Lexington history that are more recent, more diverse, and less prominent, and we have been making this a priority going forward.  For example:
  • In 2015, we opened an exhibit titled “Lextopia: Lexington Launches Mid-Century Modern,” which celebrated and explored Lexington's unique architectural legacy.  It highlighted the diverse group of young architects who came to Lexington after World War II and revolutionized home design.
  • In 2018, we were one of several joint sponsors of “Lexington Remembers WWI,” a month long celebration honoring those men and women from Lexington who served in World War I 100 years earlier.  These events allowed us to showcase items in special collections and archives from an era that we don’t often get to explore, as well as to call for additional donations pertaining to this more recent period of history.  It also gave us an opportunity to highlight the eight men of the town who lost their lives in service through our small exhibit “Lexington’s Lost Generation: Soldiers of WWI.”
  • In 2019, for the 50th anniversary of the Stonewall uprising, we partnered with LexPride and Greater Boston PFLAG to host an event focusing on LGBTQ+ history.
  • On March 8, 2020, we will be launching our newest exhibit at Buckman Tavern: “Something Must Be Done: Bold Women of Lexington.”  This exhibit is opening on International Women’s Day and will mark the 100th anniversary of women’s suffrage.  It will explore the ways in which women from Lexington made their voices heard during key moments in American history.

In continuation of these efforts, this past Saturday, February 8, Lexington Historical Society had the honor of partnering with Association of Black Citizens of Lexington (ABCL) to co-sponsor an event during Black History Month: “The Black History Project of Lexington.”  The goal of this program was to endeavor to better document the history of the black experience in town by inviting individuals to stop by and tell us their stories.  We requested that participants either be willing to take part in an oral history interview and/or donate (or allow us to scan) some of their photographs and documents.  We described the event as an opportunity to “help historians build a clear and complete picture of Lexington’s multiracial history.”

Though it is not yet open for researchers, this was the first collections related event to officially take place at our brand new Archives and Research Center (ARC), and we were thrilled to be able to use the space publicly for the first time in such a meaningful and important way.  We plan for this to be the inaugural event for a further initiative and partnership with ABCL.  Also, stay tuned for details on the ARC's official opening later this spring!

-Elizabeth Mubarek, Archives Manager

0 Comments

    Authors

    Featuring the voices of Lexington Historical Society permanent staff and occasional guest authors.

    Archives

    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018

    Categories

    All

    RSS Feed

Picture
Funding from Mass Humanities has been provided through the National Endowment for the
​Humanities ​as part of the 2020 Coronavirus Aid, Relief and Economic Security (CARES) Act.

Copyright 2020 Lexington Historical Society
Physical Address:
Lexington Historical Society
13 Depot Square
Lexington, MA 02420

Mailing Address:
Lexington Historical Society
P.O. Box 514
Lexington, MA 02420

Main  Office: 781-862-1703
Archives & Collections: 781-862-3763
Tours: 781-862-3763

Subscribe to Newsletter